Different Trains brings together three landmark works of American minimalism that explore time and memory, accompanied by film.

The programme begins with Steve Reich’s groundbreaking 1988 work Different Trains, which was composed using speech recordings to generate material for musical instruments. Described by the New York Times as “a work of such astonishing originality that breakthrough seems the only possible description”, the music is accompanied Beatriz Caravaggio’s film, which she created in response to Reich’s composition and was described by Reich himself as a “brilliant multi channel video… which really works as something to watch on its own and as a way to intensify listening to Different Trains".

Philip Glass’s String Quartet No. 3 (‘Mishima’) was originally written to accompany the film Mishima, but later became a concert piece in its own right. Here its flowing, looping harmonies accompany the incredible experimental images of French filmmaker Man Ray’s surrealist short film Emak-Bakia.

The programme finishes with Terry Riley’s composition In C, described by Gustav Dumadel (LA Phil) as a “revolutionary” work that’s closer to rock and jazz than classical musical, creating a gradually shifting tapestry of melodic fragments. The work is accompanied by real-time visuals responding to sound, created by Wellington artist Zoë Bell.

PROGRAMME

Steve Reich Different Trains (with film by Beatriz Caravaggio)

Philip Glass String Quartet No. 3 ‘Mishima’ (accompanying Man Ray’s Emak-Bakia)

Terry Riley In C (accompanied by live visuals by Zoë Bell)